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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The Barber (le Barbier)
Abraham Bosse
ca. 1632–33
A couple embraces at the foot of a bed with arched doorways leading to terraces on either side, from Alcôves, plate 7, bound in Oeuvres. Vol. I
Jean Le Pautre
17th century
Winter
Abraham Bosse
ca. 1637
The Barber
Abraham Bosse
1632–33
The Banquet of the Rich Man
Abraham Bosse
mid to late 17th century
Title Page depicting a ceiling decoration with the Assumption of the Virgin, from Plafonds modernes, plate 1
Jean Le Pautre
published ca. 1651
Gardener with a Basket on her Arm, from Hortulanae series
Jacques Bellange
1612–16
Landscape with ruins of antique buildings, from a series of six plates depicting palaces and landscapes, plate 6
Jean Le Pautre
17th century
A woman presenting the baby Constantine to his father, from Grandes alcôves à la romaine, plate 4
Jean Le Pautre
17th century
Duchess of Montbason
Jean I Leblond
n.d.
Two vases in profile with a priest delivering mass in a church in the background, from Vases ou burettes, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre
17th century
Two variant designs with figures terminating in rinceaux within a boarder of oak leaves, from Ornements de panneaux à la romaine, bound in Oeuvres. Vol. IV
Jean Le Pautre
published ca. 1651
The Chimney Sweep
Abraham Bosse
mid to late 17th century
The Prodigal Son Guarding Pigs
Abraham Bosse
ca. 1636
Allegory of Africa, from "The Four Continents"
Abraham Bosse
mid to late 17th century
Two groups of young bacchants drinking, from a series of five or six frieze designs, plates 5 and 6
Jean Le Pautre
17th century
Foolish Virgins Sleeping (Les Vierges folles somnolent en attendant l'arrivé de l"époux)
Abraham Bosse
ca. 1635
Actors at the Hotel de Bourgogne
Abraham Bosse
ca. 1633–34
Return of the Prodigal Son
Abraham Bosse
ca. 1636
Elevation and cutaway that opens onto a room at left, over which there is a terrace, from Cheminées et lambris, plate 2
Jean Le Pautre
17th century
Bedroom ornamented with busts in niches, from Alcôves, plate 2, bound in Oeuvres. Vol. I
Jean Le Pautre
published 1650
Wives at Table During the Absence of Their Husbands
Abraham Bosse
ca. 1635–36
Asclepius appears as a dragon, from a series of twenty-two plates depicting mythological subjects, plate 22
Jean Le Pautre
17th century
The friends and servants of Cato mourn at the sight of his dead body outstretched on his bed, from Grandes alcôves à la romaine, plate 6
Jean Le Pautre
17th century
Fireplace with closed shutters ornamented with a landscape with ruins, from Grandes cheminées, plate 5
Jean Le Pautre
17th century
Allegorical depiction of Europe or Religion, from a series of Allegories after Paolo Farinati
Jean Le Pautre
17th century
Frontispiece depicting two vases in profile within a border with a medallion containing a bust of the Virgin at top, from Vases ou burettes, plate 1, bound in Oeuvres. Vol. III
Jean Le Pautre
17th century
Ceiling decoration with two putti throwing flowers at the center, from Plafonds modernes, plate 11
Jean Le Pautre
published ca. 1651
The Betrayal of Christ, from "The Passion of Christ"
Nicolas Cochin
mid 17th century
Fountain decorated with a frieze with river gods and nymphs, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre
17th century
The Wife-Beater
Abraham Bosse
ca. 1633
Ceiling decoration with compartments divided by oak leaves, from Plafonds modernes, plate 2
Jean Le Pautre
published ca. 1651
Diana and Actaeon, from a series of twenty-two plates depicting mythological subjects, plate 6
Jean Le Pautre
17th century
Childbirth
Abraham Bosse
1633
Salt cellar with a battle scene in the background, from Salières et cartouches, plate 6
Jean Le Pautre
17th century
The assasination of Amnon, son of David, from Grandes alcôves à la romaine, plate 1
Jean Le Pautre
17th century
The Banquet for the Return of the Prodigal Son
Anonymous
ca. 1636
Salt cellar, the foot of which is formed of putti riding griffins, from Salières et cartouches, plate 2
Jean Le Pautre
17th century
Courtier Following Edict Against Superfluity in Dress (Le Courtisan suivant le dernier édit)
Abraham Bosse
mid-17th century
Choir door topped with the Resurrected Christ, from Portes de choeur, plate 3
Jean Le Pautre
17th century